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50.2918 Propaganda and the Motion Picture: A Discussion of East European and American Film.
This paper will argue, American filmmakers - even given the demands of Hollywood and the cultural and political demands of the Western marketplace - operated with considerably greater overall freedom than did those from Eastern Europe. Nonetheless, as will be seen, many American films may undeniably be considered works of propaganda. 9.5 pgs. 18 f/c. 10b.
Pages: 9.5
Bibliography: 10 source(s) listed
Filename: 2918 Propaganda Motion Picture.doc
Price: US$85.02
51.7446 Three Movies And Three Successes.
This five-page paper presents a close look at three classic movies. The author of this paper addresses all "Casablanca", "The Third Man" and "Citizen Kane" and items including photography, movement, editing and sound are all analyzed and critiqued. The paper used four sources to complete. 5 pgs. Bibliography lists 3 sources.
Pages: 5
Bibliography: 3 source(s) listed
Filename: 7446 Three Movies Successes.doc
Price: US$44.75
52.12020 Inter-war Expression and Trauma in Luis Bunuel's Un Chien Andalou and Leni Riefenstahl's Triumph of the Will.
This 3-page undergraduate paper looks at themes of inter-war consciousness and cultural voids as expressed in Luis Bunuel's Un Chien Andalou and Leni Riefenstahl's Triumph of the Will. 3 pgs, bibliography lists 2 sources.
Pages: 3
Bibliography: 2 source(s) listed
Filename: 12020 Inter-war Expression.doc
Price: US$26.85
53.6030 Leni Riefenstahl: Propagandist or Artist?
This sixteen-page undergraduate paper discusses Leni Riefenstahl and the politics of propaganda. Using her two most widely known Nazi-era films, "Triumph of the Will", and "Olympia", the author evaluates her position within the Nazi propaganda machine, and concludes the paper with a personal response to whether these films should be discounted as simply sad reflections of a terroristic regime or as secular landmarks of film art. 16 pgs. Bibliography lists 11 sources.
Pages: 16
Bibliography: 11 source(s) listed
Filename: 6030 Leni Riefenstahl Propaganda.doc
Price: US$143.20
54.6397 "Platoon": Socio-Cultural Context.
This paper examines the film Platoon. It views it as a second generation Vietnam movie that was less bleak than its predecessors. This reflected a resurgent America under Reagan's Republican's, and also director Oliver Stone's attempts to come to terms with his own experiences as a combat veteran. It provides a marked contrast to "Apocalypse Now". 6 pgs. Bibliography lists 3 sources.
Pages: 6
Bibliography: 3 source(s) listed
Filename: 6397 Platoon Socio Culture.doc
Price: US$53.70
55.6693 Links Between the Nostalgia Film, the Artificial Masterpiece, and a Pastiche of Historical Consciousness.
This nine-page undergraduate paper makes links between Jamason's notion of the nostalgia film, Owen's artificial masterpiece, and Lawson's pastiche of historical consciousness. These three devices are basically all the same. 9 pgs. Bibliography lists 1 source.
Pages: 9
Bibliography: 1 source(s) listed
Filename: 6693 Links Between Film.doc
Price: US$80.55
56.6896 Immaturity, Relationships and Contemporary Film.
What are we to make of Hollywood's take on relationships at the turn of the century. From a viewing of five recent critical and/or popular hits, the implications are bleak. If film can be seen as a mirror of society, then the five films reviewed here - Mendes' "American Beauty", Frears' "High Fidelity", Kubrick's "Eyes Wide Shut", Junger's "Ten Things I Hate About You", and Smith's "Chasing Amy" - suggest that we are living in a time of sexual immaturity and self-absorption. 4 pgs. No bibliography listed.
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